Basta



Basta utilises soft contours to somewhat relieve the austerity of sharply cut roman typefaces. The upper case letters, for example, are rounded from the shoulders to the front strokes. The soft flow of the lines is supported by the manner in which the heaviness of the »e« and »c« is shifted almost into the horizontal. Thanks to the gentle serif endings, the lines do not move as if between tracks. It is impressive how little space is required to achieve effortless readability. Short ascenders and descenders enable smaller line spacing. Basta is therefore particularly well suited to narrow columns of text.



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Basta Light Basta Light Italic Basta Light Small Caps Basta Regular Basta Regular Italic Basta Regular Small Caps Basta Bold Basta Bold Italic Basta Black
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Midnight Blue
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Yosemite Campfire
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Towers of Trebizond
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I write this sitting in the kitchen sink.
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One summer afternoon Mrs. Oedipa Maas came home from a Tupperware party whose hostess had put perhaps too much kirsch in the fondue to find that she, Oedipa, had been named executor, or she supposed executrix, of the estate of one Pierce Inverarity, a California real estate mogul who had once lost two million dollars in his spare time but still had assets numerous and tangled enough to make the job of sorting it all out more than honorary.